Get some camera!

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I think that the radical evolution in fly casting in the latest years has come, mainly, from two sources:

The availability of affordable high speed video equipment and the possibility of discussing technical issues with some casting geeks from all over the world… and in real-time.

The discussing part has been overdone. The learning experience that motion-freezing provides is still alive and kicking. The more I work with slo-mo the more I love it. Even a still camera with high speed capabilities can surprise you.

One of the milestones in the never ending road to casting improvement is when you discover that what you think you are doing is very different from what you are really doing.

Recently I spent two weeks of trout and grayling fishing with a good friend. Once in a while I like to put the rod aside and take the camera, specially when the fishing is as slow as in that particular afternoon. I shot a couple of series of stills at around 4 frames per second while he was fishing the water. Nothing related to casting technicalities, I just liked the light and the misty background.

When taking a look to the results I immediately remembered a statement from a recent conversation:

“I like to wait for the tug of the line in the backcast before starting the forward cast.”

So if some improvement could be derived from just getting a piece of new gear I think that, at this point in history, it is better to browse camera catalogs instead of fly rod ones.

Back Cast Training

Practicing the back cast should be a priority for every fly fisher concerned about improving his casting technique. Accuracy placing the fly depends as much on the back as on the forward cast.

And for improving the back cast nothing better than training accuracy: being accurate is a sign of good loops and good tracking. That solves 50% (maybe more) of the problem of being accurate in presenting our fly to the fish.

I am talking about accuracy when tracking is usually related to distance casting. Well, I am not a distance caster, what I want is to develop skills that are practical for my fishing, and my fishing isn’t about distance but about avoiding drag with a dry fly.

Great distance casters recommend to practice tracking by means of picking a distant target for the backcast which is aligned with the forward cast. That assumes that, prior to starting the back cast, you turn your head backwards and focus on the target. Good for distance casting but not for fishing. When fishing a dry fly to medium distances we don’t watch our back cast.

So this is the key of the exercise shown on the following video: presenting the fly accurately with the back cast without watching the target during the casting stroke. Using only the rod hand (without hauling) will be even better.

The target is at a distance of 17 m from my feet.

To straighten or not to straighten. That is the question.

We all employ much more effort than necessary to cast. Great casters stand out from the crowd due to its elegant, fluid style. We say that they make casting to look easy. Their effortless, graceful motion is something we should strive for.

For years the simple task I am presenting here has been an integral part of my practice. I encourage you to allocate it 15 minutes in all your training sessions.

The concept is easy: just cast with the goal of avoiding the tip of the line and leader to straighten. At first you’ll see that it sounds easier than it actually is, but when you get things going smoothly it results in a very enlightening exercise.

First, we are conscious of how little force we need to put the fly 10-12 meters away: if you use the elbow forward style it is enough to let the arm fall due to gravity and add a little flick of the wrist.

If when fishing you are using more force than that it’s sure that you are wasting energy somewhere.

Second, if we are using the energy needed to get the fly at 20 meters to put it just at 10 meters… how will we have the control to present the fly to a fish that is rising at 20 meters? Or when it rises at 15 meters and we are confronting a head wind? The more force we put into a motion the harder it is to make it straight, smooth and accurate.

Third, you are controlling a fantastic drag-free cast, one which puts slack in the only position that works for every tricky current configuration: tip of the line and leader.